DIALOGUE
inspiration and design thinking, communication, recording, evaluation and testing, analysis, visualization and understanding. Donald Schön writes that much of what defi nes the ‘ refl ective practitioner ’ is a designer having a conversation with the situation. He reinforces the relationship of designers to the way they visualize when he writes ‘ … the graphic world of the sketchpad is the medium of reflection-inaction.… Because the drawing reveals qualities and relations unimagined beforehand, moves can function as experiments.
Fraser and Henmi suggest that a drawing has two lives: a dialogue with the architect at the time of the actual action of drawing and an afterlife, during which others view and interact with it. ‘ The infl uence of drawing then exists independently, acquiring its own voice and its own history through many acts of viewing and interpreting .Architects may be looking for something different each time they sit down to draw, and may discover something other than expected at each sitting. The methods and techniques, although unique to each architect, may also vary depending on the intended outcome and, in a situation of this variety,
All images convey something, whether they are ideas, impressions, or emotions, and these communications range from the concrete to the abstract. Bernard Tschumi writes that all architecture represents something – the king, or ideas of God ( Tschumi, 1994 ).